AU REVOIR LA HAUT ALBERT DUPONTEL

Actor-director Albert Dupontel"s Gaumont-backed feature "See elle Up There" is a post-World war I crime epic starring Nahuel père Biscayart, launt Lafitte and Niels Arestrup.


The sinister cloud de the an excellent War hangs anywhere over See you Up There (Au revoir la-haut), a visually death-defying ajustement of pierre Lemaitre’s Goncourt-winning novel that follows three surviving soldiers who scheme their way to oblivion.

Vous lisez ce: Au revoir la haut albert dupontel

Written, command by and co-starring Albert Dupontel in his most ambitious task yet, the cinématique features a handful of jaw-dropping moments — together as an excruciating battle across non man’s sol — held together par a strong cast, including BPM (Beats effronté Minute) étoiles Nahuel père Biscayart as a disfigured artist concealed behind an array of exquisitely ornamental masks. Cible condensing virtually 600 pages de story right into a two-hour movie proves progressively difficult as too countless plot point take away from toutes les personnes the visuellement splendor, while auto characters hardly oui time venir be drawn out.



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If such weaknesses temper the movie, particularly in its lundi half, Dupontel (9-Month Stretch) still manages à deliver a rare object in contemporary français cinema: a commercial cinématicien that mixes high craft, surrealist humor et extremely dark themes — de trauma, death, corruption and manipulation — in methods that hold together rather well. Both thé setting et tone remind Jean-Pierre Jeunet’s A Very longue Engagement, which to be a hit at the French caisse office and grossed $70 million outside de France. Whether such facets will translate à similar numbers below is uncertain, but in terms du pure cinematic prowess See elle Up there deserves praise.

Dupontel narrates et stars oui Albert Maillard, a lowly soldier who’s caught in the trenches as World War je comes to a murderous end in November 1918. Just avant that happens, Maillard et his fellow french army grunt Edouard Pericourt (Perez Biscayart) room sent passant par their sadistic captain, Pradelle (Laurent Lafitte), nous one last sortir over thé wall et onto the battlefield. Auto result — in a longue sequence ns nonstop pyrotechnics et skillfully staged action — is an absolute bloodbath, v Maillard nearly buried alive de debris and Pericourt’s face blown half off de mortar fire.

The two friends nevertheless stick together, et will à faire so for the remainder du the movie, ont Maillard spends months by his hurt buddy’s bedside, administering morphine shots and learning about auto latter’s life. Tarif from a common man, Pericourt is in reality a talented artist who has never found grace in the eyes ns his father, marcelo (Niels Arestrup, as imposing as ever), a powerful parisien banker. Currently that he’s gravely wounded, Pericourt prefers to phat dead, convert identities with a corpse et living behind elaborate masks that hey designs native his bohemian hovel.

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Dupontel’s script, i beg your pardon was created with auto help of author Lemaitre, walk a decent job condensing the récit early on, allowing auto director number of flights ns fancy as he covers the conséquences of auto conflict et its effect conditions météorologiques the 3 leads — auto third being Pradelle, who conditions météorologiques follow nous his plunge right into postwar profiteering. Ont DP vincent Matthias’ caméra (shooting on HD cible graded à look prefer old Autochrome images from auto 1920s) hovers above mud-filled combat zones et cemeteries or soars with windows into calcul Queffelean’s ornate sets, nous track the characters choose mice scuttling through auto labyrinth ns a land still reeling indigenous battle.

While Maillard tries à earn an honest living doing odd jobs approximately Paris, the opium-addled Pericourt seul wants to wreak havoc, and does so by hatching a scheme à sell phony monument to français towns feather to à lhonneur the dead. Cette also participates in a WWI monument contest held par his estranged father, who has unwillingly bankrolled autre racket by Pradelle — now married venir Pericourt’s sister, folle (Emilie Dequenne) — entailing low-rent massive graves parce que le those killed in action.


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There’s soja much scheming walking on, in fact, that thé plot becomes as well convoluted in its latter stages, making ce hard venir digest the num of coincidences tying everything together. Perhaps all the twists and turns worked in Lemaitre’s expansive novel, but here they venir too fast parce que le us venir fathom, while the récit jumps haricot de soja much from one person à the suivant that elle never oui enough time à savoir any de them really well.

Still, Dupontel has actually chosen a fantastique cast that rather compensates à la the lack of strong characterization: Lafitte is many memorable oui a masculin who’s even more devilshly debonair than the rapist hey played in Elle, while Argentine actor père Biscayart is terrific as a mutilated artist hiding behind disguises that reflect his constantly shifting moods.

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Those masks, which were created passant par makeup results artist Cecile Kretschmar, are some ns many technical highlights in a $24 million fabriquer that showcases Dupontel’s talent for staging arranged mayhem and clever morceaux of visuellement comedy, even in thé tragic wake of the war. Indeed, si See amie Up There‘s story ns trauma et pilferage feels a peu stretched in places, the mood it leaves amie with is a welcome mix of the gloomy et the giddy — a spectacle of darkness through flashes ns light.

Production companies: Stadenn Prod., Manchester Films, Gaumont, france 2 CinemaCast: Nahuel une position Biscayart, Albert Dupontel, launt Lafitte, Niels Arestrup, Emilie Dequenne, Melanie ThierryDirector: Albert DupontelScreenwriters: Albert Dupontel, v the intervention of roche Lemaitre, based nous the novel de Pierre LemaitreProducer: Catherine BozorgranDirector du photography: vincent MathiasProduction designer: calcul QueffeleanCostume designers: Mimi LempickaEditor: Christophe PinelComposer: Christophe JulienCasting director: Antoinette BoulatSales: Gaumont